Music, 1902-03” oil on Canvas. Antonia Leonardov Rzhevskaya
“I find the map and draw a straight line
Over rivers, farms, and state lines
The distance from ‘A’ to where you’d be
It’s only finger-lengths that I see
I touch the place where I’d find your face
My fingers in creases of distant dark places
I hang my coat up in the first bar
There is no peace that I’ve found so far
The laughter penetrates my silence
As drunken men find flaws in science
Their words mostly noises
Ghosts with just voices
Your words in my memory
Are like music to me
I’m miles from where you are,
I lay down on the cold ground
I, I pray that something picks me up
And sets me down in your warm arms
After I have travelled so far
We’d set the fire to the third bar
We’d share each other like an island
Until exhausted, close our eyelids
And dreaming, pick up from
The last place we left off
Your soft skin is weeping
A joy you can’t keep in
I’m miles from where you are,
I lay down on the cold ground
And I, I pray that something picks me up
and sets me down in your warm arms
I’m miles from where you are,
I lay down on the cold ground
and I, I pray that something picks me up
and sets me down in your warm arms.”—Snow Patrol “Seth the Fire to the Third Bar”
This is an older collection from Jeremy Fish but it is one of my favorite from this amazing artist. Here is the description of the collection…
San Francisco in the Barbary Coast days of the 1850s was a crazy place. The once sleepy town’s population exploded almost overnight as it was flooded with all kinds, here to make their fortunes in whatever way they could. Prospectors, prostitutes, sailors, businessmen, criminals, hatchet men, preachers, and entertainers all had their stories to tell and their reasons for being there.
In preparation for his upcoming show, “The Ghosts of the Barbary Coast” at Fifty24SF Gallery, Mr. Fish has done his homework. Basing his collection of work on true stories from San Francisco’s history, he conjures up the spirits of the rowdy, ruthless, insane, and notorious characters that populated the City’s seedy past and re-tells their fascinating and often shocking stories to a new audience. Fish also explores parallels between the Gold Rush of ’49 with the modern booms and busts of marijuana farming in the 1970s and the dot coms of the 1990s. Highlights of this collection include a series of tightly-executed and well-researched paintings along with amazing three-dimensional wood pieces. Fish plans to bring some real Barbary Coast style to his opening reception with a Gold Rush-style saloon, complete with grizzly bear. What better way to pay tribute to the folks who paved the way and established San Francisco’s independent and rebellious reputation?
A fun illustration by Ji Lee. Happy Valentine’s Day everyone!
(via jessaci)
